"There is no happiness in love, except at the end of an English novel." —Anthony Trollope, Barchester Towers
From the Pulitzer Prize–winning author of Middlesex and the now-classic The Virgin Suicides comes a novel about three college students in the 1980s as they struggle to make sense of life and modern love.

Are the great love stories of the nineteenth century dead? Or can there be a new story, written for today and alive to the realities of feminism, sexual freedom, prenups, and divorce?

It's the early 1980s. In American colleges, the wised-up kids are inhaling Derrida and listening to Talking Heads. But Madeleine Hanna, dutiful English major, is writing her senior thesis on Jane Austen and George Eliot, purveyors of the marriage plot that lies at the heart of the greatest English novels. As Madeleine studies the age-old motivations of the human heart, real life, in the form of two very different guys, intervenes—the charismatic and intense Leonard Bankhead, and her old friend the mystically inclined Mitchell Grammaticus. As all three of them face life in the real world they will have to reevaluate everything they have learned. Jeffrey Eugenides creates a new kind of contemporary love story in "his most powerful novel yet" (Newsday).